The INVENT Project will be presenting part of its findings across an array of conferences this coming Fall. Below, we will detail the upcoming presentations and events that feature INVENT’s findings, but if you already want a glimpse of what else the project has been up to, don’t forget to check out our second yearly newsletter. You can read and
On June 30, 2022, the Dutch INVENT team attended the Boekman Foundation conference entitled “The Value of Culture after Corona” and presented their findings from a big-data-analysis of online cultural petitions among Dutch citizens and organizations. The findings presented are part of the second wave of data scraping carried out by the INVENT consortium that explores which cultural petitions dominate
In the age of immediacy, of the digital, the relationship between audiovisual products and consumers is increasingly close. It has become a habit to choose as a favorite pastime to watch an episode of a TV series via a payment platform. It is a simple, fast and repeatable process over time, which is why many people have already incorporated it
Socio-cultural centres, community centres, social centres, youth centres, creative centres… are among the many names of the cultural centre. So, what are the cultural centres, and why are they important for the societal value of culture? Cultural centres exist in many forms but are easily recognizable by their multifaceted and open character – think accessible places of many socio-cultural activities
The COVID-19 pandemic has created an economic and social crisis that has both revealed and exacerbated already strong trends in many areas of society, while also creating new spaces for reflection and questioning. What are specific trends in the cultural sector that are being exaggerated by the COVID-19 pandemic? What did it mean to go digital for art and cultural
In some corner of a random neighborhood in the city of Mariupol, in Ukraine, a man blows out a candle and leaves his room in darkness. He has heard the advance of the troops and is afraid that the dim light that filters through the curtains will arouse some suspicion. Downstairs, in the street, it is pitch black and the
Coming June, young Spaniards who turn 18 this year will benefit from a cultural bonus with a value of €400. Back in March, the Council of Ministers approved the Royal Decree 210/2022 that established the conditions under which this Young Cultural Bonus can take effect, an undertaking for which the General State Budget has reserved a budget of 210 million
we see that not everyone and everything is welcome to the cultural arena: after allegations of immoral, transgressive or discriminatory behavior, cultural workers and their productions are increasingly ‘cancelled’ by their audiences or by particular media.
In the beginning of April 2022, the British government announced its plan to privatize the popular television channel, Channel 4. The channel is known for its critically acclaimed drama series, as well as beloved reality shows. It was launched in 1982 and has been operating as a government-owned broadcasting company, consisting of 12 channels in total. In contrast to the
The importance of academic knowledge on the social aspects of culture is essential in the field of cultural policy. Nevertheless, insights of this kind are frequently neglected in the processes of devising national cultural policies in different European countries. In addition to broad EU policy frameworks, cultural policies of the nation states should include knowledge about how culture is seen