Socio-cultural centres, community centres, social centres, youth centres, creative centres… are among the many names of the cultural centre. So, what are the cultural centres, and why are they important for the societal value of culture? Cultural centres exist in many forms but are easily recognizable by their multifaceted and open character – think accessible places of many socio-cultural activities
The importance of academic knowledge on the social aspects of culture is essential in the field of cultural policy. Nevertheless, insights of this kind are frequently neglected in the processes of devising national cultural policies in different European countries. In addition to broad EU policy frameworks, cultural policies of the nation states should include knowledge about how culture is seen
Across Europe, cultural sectors en large and the people working in fields related to art and culture were hit especially hard during the 2020 and 2021 COVID pandemic. Many cultural venues were closed, and programmes were cancelled (or weren’t initiated at all). Many artists and cultural workers fell deeper into precariousness and poverty than before COVID. Many were driven out
Should we have a cultural deal for Europe and put culture as one of the top EU priorities? Many cultural professionals, scientists and policymakers think that European Union needs a deep and thorough reimagining of its cultural policies and that the matter is pressing. The growing precarity of the cultural sector in Europe presents an additional urgency to the issue.
Croatian INVENT team co-leader Mirko Petrić participated in the online panel on sustainable cultural tourism, held on the occasion of the World Tourism Day, and organized by the Faculty of Economics, Business and Tourism in Split (Croatia) on October 21st, 2021. His presentation emphasized the importance of the societal values of culture, from a perspective developed within the INVENT project.
The prevalence of precarious working conditions in the sector of arts and culture across Europe were recently addressed by Art and Cultural Workers Congress, held in Zagreb between June 30th and July 2nd, 2021. The Congress brought together representatives of professional associations, initiatives, and trade unions active in promoting better working conditions for artists and cultural workers from seven European
Croatian INVENT team co-leader Mirko Petrić participated in two events during the summer months of 2021, in which he presented and highlighted some of the ideas which are central to the INVENT project agenda to teachers and cultural professionals. Petrić gave a presentation entitled “What are Cultural Resources? The importance of teaching for their sustainability” at a workshop “Why is
An interview with the Croatian INVENT team member Mirko Petrić about how political parties in his country view the societal role of culture was published in a major Croatian newspaper (and its associate news portal). The article was published on 5 June 2021, in the wake of the Croatian local elections, during the municipal and county council constitution period. In
On the occasion of marking the end of the Creative Europe programme (2014 – 2020), the Croatian Desk of Creative Europe issued the publication “CREATIVE EUROPE (2014 – 2020): CROATIAN EXPERIENCES”. The bilingual (Croatian and English) publication offers a basic analysis of Croatia’s participation in the Creative Europe Culture sub-programme, providing the following highlighted information: Between 2014 and 2020, 96 Croatian
In February 2020, members of the Croatian INVENT team had the pleasure of attending a Clubture event. Financed by the European Social Fund, and organized by the association of independent cultural association, “Clubture”, the event brought together key actors in the cultural landscape in Croatia. There were independent cultural actors present, such as art and theatre associations, youth home and