During the past summer, INVENT’s members have conducted interviews with locals and migrants in each of the consortium countries. In the following blog, we share preliminary findings regarding the ways in which migrants take part (or don’t) in their new country’s cultural offerings. The countries included in this blog are the UK, Denmark, Finland, Croatia, and Serbia (in which immigrant
This year in April the German musician Ronja Maltzahn was supposed to play a concert at a Fridays-for-Future protest in Hannover (DE). A few days before the event, however, she was uninvited by the organizers due to her hairstyle: She, a white person, was wearing dreadlocks [1]. A few months later, a similar event took place in Switzerland. Here, a
INVENT has brought out a new report that comprises a combination of data and analyses capturing an answer to the question: What does culture mean to Europeans?To map out the multiplicity of understandings of culture within and across Europe, the report opens with a brief discussion of the diverse conceptions of culture, the current “cultural abundance” and how the manifold
It is a commonly shared view that “culture is good for you”. In cultural policy, there has long been concern about citizens that do not participate in any cultural activities, such as visiting museums or concerts. Cultural non-participation has often been treated as a problem – even though non-participation is actually very common. An explanation for the low rates of
The INVENT Project will be presenting part of its findings across an array of conferences this coming Fall. Below, we will detail the upcoming presentations and events that feature INVENT’s findings, but if you already want a glimpse of what else the project has been up to, don’t forget to check out our second yearly newsletter. You can read and
On June 30, 2022, the Dutch INVENT team attended the Boekman Foundation conference entitled “The Value of Culture after Corona” and presented their findings from a big-data-analysis of online cultural petitions among Dutch citizens and organizations. The findings presented are part of the second wave of data scraping carried out by the INVENT consortium that explores which cultural petitions dominate
In the age of immediacy, of the digital, the relationship between audiovisual products and consumers is increasingly close. It has become a habit to choose as a favorite pastime to watch an episode of a TV series via a payment platform. It is a simple, fast and repeatable process over time, which is why many people have already incorporated it
Socio-cultural centres, community centres, social centres, youth centres, creative centres… are among the many names of the cultural centre. So, what are the cultural centres, and why are they important for the societal value of culture? Cultural centres exist in many forms but are easily recognizable by their multifaceted and open character – think accessible places of many socio-cultural activities
The COVID-19 pandemic has created an economic and social crisis that has both revealed and exacerbated already strong trends in many areas of society, while also creating new spaces for reflection and questioning. What are specific trends in the cultural sector that are being exaggerated by the COVID-19 pandemic? What did it mean to go digital for art and cultural
In some corner of a random neighborhood in the city of Mariupol, in Ukraine, a man blows out a candle and leaves his room in darkness. He has heard the advance of the troops and is afraid that the dim light that filters through the curtains will arouse some suspicion. Downstairs, in the street, it is pitch black and the