We are pleased to announce that the third INVENT Policy Brief has become available for download on our website.Where previously Policy Brief 1 (2021) looked at cultural offerings, wellbeing and the cultural value orientations of Europeans, and Policy Brief 2 (2023) centered on culture’s contribution to health and wellbeing; Policy Brief 3 (2023) places its focus on Digitalization and Culture.
We are pleased to announce that the second INVENT Policy Brief has become available for download on our website. Following Policy Brief 1 (2021) which briefly touched on topics of satisfaction with cultural offerings and Covid-19 in relation to wellbeing, Policy Brief 2 adopts a narrower focus and is titled Culture’s contribution to health and wellbeing. Now drawing on a
On June 30, 2022, the Dutch INVENT team attended the Boekman Foundation conference entitled “The Value of Culture after Corona” and presented their findings from a big-data-analysis of online cultural petitions among Dutch citizens and organizations. The findings presented are part of the second wave of data scraping carried out by the INVENT consortium that explores which cultural petitions dominate
The COVID-19 pandemic has created an economic and social crisis that has both revealed and exacerbated already strong trends in many areas of society, while also creating new spaces for reflection and questioning. What are specific trends in the cultural sector that are being exaggerated by the COVID-19 pandemic? What did it mean to go digital for art and cultural
Coming June, young Spaniards who turn 18 this year will benefit from a cultural bonus with a value of €400. Back in March, the Council of Ministers approved the Royal Decree 210/2022 that established the conditions under which this Young Cultural Bonus can take effect, an undertaking for which the General State Budget has reserved a budget of 210 million
Earlier this month, The Guardian published an article about a new study which examined the impact of museum visits on GCSE (General Certificate of Secondary Education) results in the UK. This research joins previous scholarship which explored cultural capital and its relations to sociodemographic differences (Katz-Gerro and Meier Jaeger,2015; Yaish, Katz-Gerro, 2012). According to the new study, museum outings had
The COVID-19 pandemic has created an economic and social crisis that has both revealed and exacerbated already strong trends in many areas of society, while also creating new spaces for reflection and questioning. What are specific trends in the cultural sector that are being exaggerated by the COVID-19 pandemic? What did it mean to go digital for art and cultural
Across Europe, cultural sectors en large and the people working in fields related to art and culture were hit especially hard during the 2020 and 2021 COVID pandemic. Many cultural venues were closed, and programmes were cancelled (or weren’t initiated at all). Many artists and cultural workers fell deeper into precariousness and poverty than before COVID. Many were driven out
Should we have a cultural deal for Europe and put culture as one of the top EU priorities? Many cultural professionals, scientists and policymakers think that European Union needs a deep and thorough reimagining of its cultural policies and that the matter is pressing. The growing precarity of the cultural sector in Europe presents an additional urgency to the issue.
After a month of ‘heavy lockdown’, last week Friday the Dutch government announced that it was once again possible for certain sectors to open up with Covid safety precautions set in place. Many people were pleased as this would mean that services like hairdressers and nail salons would open their doors again; however, theaters and other cultural venues remain closed