On June 30, 2022, the Dutch INVENT team attended the Boekman Foundation conference entitled “The Value of Culture after Corona” and presented their findings from a big-data-analysis of online cultural petitions among Dutch citizens and organizations. The findings presented are part of the second wave of data scraping carried out by the INVENT consortium that explores which cultural petitions dominate
Socio-cultural centres, community centres, social centres, youth centres, creative centres… are among the many names of the cultural centre. So, what are the cultural centres, and why are they important for the societal value of culture? Cultural centres exist in many forms but are easily recognizable by their multifaceted and open character – think accessible places of many socio-cultural activities
Earlier this month, The Guardian published an article about a new study which examined the impact of museum visits on GCSE (General Certificate of Secondary Education) results in the UK. This research joins previous scholarship which explored cultural capital and its relations to sociodemographic differences (Katz-Gerro and Meier Jaeger,2015; Yaish, Katz-Gerro, 2012). According to the new study, museum outings had
Is cultural journalism becoming more personalized and subjective? One of the key debates of contemporary cultural sociology concerns the alleged fragmentation of cultural authority. In an era of crisis of legacy media and normative authorities and, at the same time, strong individualization, who decides what can be defined as valuable culture? Quality journalism covering culture is a good place to
The contemporary Serbian society is deeply divided over the question of what and what kind of culture can and should have the status of legitimate – “valuable”, “true”, and “morally correct”. Conflicts over the “right” worldview have taken the form of Culture wars. The multitude of “Serbian divisions”, with the inevitable simplifications, summaries and generalizations, can be reduced to the
In February 2020, the INVENT project commenced having planned out the multiple interdisciplinary research queries set to be conducted over the course of the project. Not long after, the Covid-19 pandemic introduced itself as an unforeseen factor and formidable force that has gone on to interlace itself throughout nearly every stage of the project thus far. What Covid has brought
Throughout the years, video games have been considered a masculine interest. However, through INVENT, the UK survey found no gender differences in responses to the question regarding the belonging of video games to the definition of “culture” (10% of men and 10% women replied “yes” to this question). In a new collaboration between Neta Yodovich (from our UK team) and
Unlike the simple divisions into elite and mass arts audiences, omnivores and univores, the culturally engaged and cultural inactives – while analysing INVENT survey data – we encountered a large number of small cultural worlds or cultural microcosms. Using Multiple Correspondence Analysis and Hierarchical Cluster Analysis, we identified a number of aggregates of people who have different conceptions of culture,
Finnish INVENT Team members Sara Sivonen and Semi Purhonen will be publishing an article called “Politics and cultural participation: The associations of party preference and conservativeness with high and popular cultural participation in Finland” in Sosiologia later this autumn (article in Finnish). The article examines the association between politics and cultural participation in contemporary Finland from the perspective of change
Croatian INVENT team co-leader Mirko Petrić participated in the online panel on sustainable cultural tourism, held on the occasion of the World Tourism Day, and organized by the Faculty of Economics, Business and Tourism in Split (Croatia) on October 21st, 2021. His presentation emphasized the importance of the societal values of culture, from a perspective developed within the INVENT project.