News
Experiences of the digitalization of culture: Accessing, participating, and (not) belonging
Our last blog post presented an introduction to INVENT’s current interview data collection phase. In this post, we want to highlight a subset of questions, which explore how people relate to digital media in their lives, and how those impact their cultural practices.
The INVENT consortium met for its fifth team meeting in Zadar, Croatia
In the period between October 6th and 8th, 2022, a team meeting of the INVENT project (European Inventory of Societal Values of Culture as a Basis for Inclusive Cultural Policies in the Globalizing World) was held in Zadar, Croatia. The project is supported by the European Commission’s Horizon 2020 programme. The meeting was organised by the Croatian partner in the
Taking Part: Migrants engaging in local cultural offers in five European countries
During the past summer, INVENT’s members have conducted interviews with locals and migrants in each of the consortium countries. In the following blog, we share preliminary findings regarding the ways in which migrants take part (or don’t) in their new country’s cultural offerings. The countries included in this blog are the UK, Denmark, Finland, Croatia, and Serbia (in which immigrant
The Debate on Cultural Appropriation has arrived in German-speaking Countries
This year in April the German musician Ronja Maltzahn was supposed to play a concert at a Fridays-for-Future protest in Hannover (DE). A few days before the event, however, she was uninvited by the organizers due to her hairstyle: She, a white person, was wearing dreadlocks [1]. A few months later, a similar event took place in Switzerland. Here, a
Mapping the multiplicity of cultural understanding: INVENT brings out a new report exploring the meanings Europeans ascribe to culture
INVENT has brought out a new report that comprises a combination of data and analyses capturing an answer to the question: What does culture mean to Europeans?To map out the multiplicity of understandings of culture within and across Europe, the report opens with a brief discussion of the diverse conceptions of culture, the current “cultural abundance” and how the manifold
New research alert: What is cultural non-participation and has it changed significantly over the course of a decade?
It is a commonly shared view that “culture is good for you”. In cultural policy, there has long been concern about citizens that do not participate in any cultural activities, such as visiting museums or concerts. Cultural non-participation has often been treated as a problem – even though non-participation is actually very common. An explanation for the low rates of
Mark your calendars! These are the events where INVENT is presenting their findings this fall.
The INVENT Project will be presenting part of its findings across an array of conferences this coming Fall. Below, we will detail the upcoming presentations and events that feature INVENT’s findings, but if you already want a glimpse of what else the project has been up to, don’t forget to check out our second yearly newsletter. You can read and
The Dutch INVENT team presents their findings on online cultural petitions at conference “The Value of Culture after Corona”
On June 30, 2022, the Dutch INVENT team attended the Boekman Foundation conference entitled “The Value of Culture after Corona” and presented their findings from a big-data-analysis of online cultural petitions among Dutch citizens and organizations. The findings presented are part of the second wave of data scraping carried out by the INVENT consortium that explores which cultural petitions dominate
Should Netflix obey Swiss rules? How cinema is (still) a national industry
In the age of immediacy, of the digital, the relationship between audiovisual products and consumers is increasingly close. It has become a habit to choose as a favorite pastime to watch an episode of a TV series via a payment platform. It is a simple, fast and repeatable process over time, which is why many people have already incorporated it
Cultural centres, sociability, and the societal value of culture
Socio-cultural centres, community centres, social centres, youth centres, creative centres… are among the many names of the cultural centre. So, what are the cultural centres, and why are they important for the societal value of culture? Cultural centres exist in many forms but are easily recognizable by their multifaceted and open character – think accessible places of many socio-cultural activities
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870691